Is Super 16 solvable in HD? by Herve Lefel
Digital Workflow
I shot Renaud Bertrand’s film, Just the Three of Us (produced by Fabio Conversi at Babe Films). When I arrived on the project, the decision had already been made to shoot in HD, but we still needed to determine which camera use!
Following the tests that I had the opportunity to make for the film by Patrice Chereau, we were leaning towards the D21. We then discovered the Mscope process, which allows you to shoot anamorphic in a 4:2:2 configuration recording on to HDCAM SR.
Following the text by Sophie Landry published in the AFC newsletter, Pascale Recher and Sabine Courtant, makeup artists from the workshop "Lighting and Makeup" comment about their experiences filming in HD during the last IDIFF conference, which was held at the Palais des Congrés in Paris from January 30th to February 1st, 2008.
Public makeup tests were held at IDIFF, produced by Cine System and shot through the lenses of four different HD cameras (Thomson Viper, Panasonic HPX3000, Arri D20 and Sony F23).