Smoke Sauna Sisterhood is a surprising film. Winner of several prizes at international festivals such as Sundance, filmmaker Anna Hints’ invitation to share the intimate confessions of Estonian women is a real success. Set in an extremely simple decor -traditional saunas heated by wood fires-, the documentary is a dance between of words, bodies, steam and light. Cinematographer Ants Tammik spent twenty days with the women of his country, in the heart of this magical place, a Unesco World Heritage Site. The humidity levels were close to 100%, with a temperature fluctuating between 60 and 80°. Welcome to the Smoke Sauna! (FR)
Among the films selected in the "Directors’ Debuts Competition" category at Camerimage 2023, The Song of the Auricanturi (El canto del Auricanturi), by Colombian director Camila Rodriguez Triana, tells the story of a silent mother and her daughter. This contemporary artist, a graduate of the Fresnoy School (2019), directed her first feature film alongside argentinian cinematographer Constanza Sandoval, ADF. She talks to us about this film, whose directorial choices and screenplay are quite radical, inspired by the work of Alexander Sokourov and Bela Tarr... (FR)
American cinematographer Curren Sheldon brings to Camerimage his latest documentary film, "King Coal." Rooted in both reality and fable, this work presents the Appalachian region, exploring the economic and societal upheaval caused by the rise and fall of coal mines. Curren shares insights into how this project slowly developed and was crafted in collaboration with his wife, Elaine, who directed the film. (FR)
The superstar Metal band Metallica asked director Tim Saccenti and American cinematographer Joshua Zucker Pluda to create a visually intricate yet classically structured music video, featuring various black and white blurs and textures. With slow-motion, image overlays, and sweeping flares, "Screaming Suicide" is competing for the Golden Frog for Best Music Video Cinematography at Camerimage 2023. (FR)
Kristoffer Engholm Aabo is a cinematographer based in Copenhagen. He divides his time between Denmark and Norway, where he studied cinematography. He has worked on the visuals of over 80 music videos and has also worked on a number of advertising films (Porsche, Redbull, Carlsberg, etc.) as well as short fiction films. Selected for the first time in competition at Camerimage for the music video "Crooks - Heart of Vengeance" by the band Farveblind, we meet to talk about this strange fake trailer, created for a revenge film that could almost be real... (FR)
After the highly acclaimed The Favorite (Audience Award at Camerimage 2018), Greek filmmaker Yorgos Lanthimos has teamed up once again with Irish cinematographer Robbie Ryan, ISC, BSC, on Poor Things. This project was largely shared in its making with actress Emma Stone - Oscar winner for Best Actress in 2017 -. Stone was the centrepiece of this project, giving her a probable chance of receiving a second statuette in 2024. This resolutely feminist fable tells the story of the journey and liberation of a dead young woman, brought back to life by a mad scientist, who implants in her a little girl’s brain... (FR)
In late June 2023, during the Euro Cine Expo in Munich (cinema equipment trade show), Claire & Rob Sanders, the managers, gave six slots to the Imago Technical Committee (ITC) to exhibit their work. Among these presentations, ITC proposed a panel entitled “Artistic decisions in cinematography - To be burned or not to be burned?”
Doubly honored in 2023 (at the Manaki Brothers Festival and soon at Camerimage), British cinematographer Peter Biziou, BSC, shares with us some memories from his long and prestigious career on commercial and fiction sets. Although Mississippi Burning (Oscar for Best Cinematography in 1989) was undoubtedly his highest distinction, his name has appeared in the credits of films such as Monty Python’s The Life of Brian, Richard Loncraine’s Richard III, or Peter Weir’s The Truman Show. (FR)
In keeping with our time-tested formula: one location, two dates, three reasons to visit the AFC’s Micro Salon and to note next year’s dates in your calendar, Wednesday 7th February and Thursday 8th February 2024 at the Parc Floral de Paris.
Always catching his viewers by surprise, Michel Franco’s latest film is an authentic love story. This improbable romance between two people who have been wounded by life gives Jessica Chastain (Sylvia) and Peter Sarsgaard (Saul) the opportunity to explore two beautiful characters who must face their flaws and their courage. Yves Cape, AFC, has once again (for the fifth time) teamed up with the Mexican director to shoot this independent film in Brooklyn and Manhattan. Memory is in Official Competition for the Golden Lion at the 80th Annual Mostra de Venise. (FR)
The AFC Prizes’s admissions are now open, until October 17, 2023. On the following article you can find reminder of related informations and how to submit a film.
After joining the AFC just a short while ago, cinematographer Amine Berrada is introduced in this article by his sponsors Pierre Aïm and Agnès Godard, both members of the association, in the words they used to introduce him to their peers who voted on his application for membership.
Recently admitted to the AFC, cinematographer Sarah Blum is presented here by her two AFC sponsors, Agnès Godard and Claire Mathon, in the same words they used in support of her application for membership to the members of the association’s board of directors.
Damien Dufresne, the AFC’s newest active member, is presented below by Olivier Chambon and Pierre Milon, his AFC sponsors, via two texts they wrote in support of his admission.
Created by Tara Hernandez and Damon Lindelof, "Mrs. Davis" is an eight-episode series produced by Warner Bros TV released on its own streaming service Peacock in late April. Xavier Dolléans, AFC, was the cinematographer for episodes 3 and 4, directed by Alethea Jones and shot in Spain. Interviewed here by screenwriter and director Jonathan Bensimhon, he discusses the technical challenges he had to overcome and the artistic, organizational and human particularities of such a production.
The AFC is happy to announce that it will be organizing its first-ever AFC Award Ceremony in 2024. This ceremony will recognize excellence in cinematographic work.
At 8:30 a.m., the lights go out and the film begins. This is the beginning of my day as a festivalgoer. It is the beginning of the day for a member of the Caméra d’Or jury. I am very honored and grateful to the AFC for allowing me to spend two weeks at Cannes. I tried to show myself from time to time at the AFC stand, but my schedule didn’t allow me many opportunities. Watching films was my sole occupation for ten days, then discussing, speaking, sharing my feelings about them with the other members of the jury.