Festival de Cannes 2024
Michał Dymek, PSC, looks back on the filming of Magnus von Horn’s "The Girl with the Needle".
By François Reumont for the AFCWith The Girl with the Needle, Swedish filmmaker Magnus Von Horn (who studied in Łódź and lives in Warsaw) delves into a harsh depiction of poverty in 1920s Denmark. This frightening black-and-white tale draws parallels with certain aspects and characters (notably the circus scene) from The Elephant Man, David Lynch’s 1980 Gothic monument (photographed by the great cinematographer and director Freddie Francis, BSC). Behind the camera is Michal Dymek, PSC, the young Polish cinematographer (noted for EO, which competed in 2022). He talks to us about black-and-white filmmaking, relative authenticity, and the unforeseen events on set that can sometimes turn into assets for the film... (FR)
Copenhagen, 1919. Karoline, a young working-class woman, struggles to survive. When she becomes pregnant, she meets Dagmar, a charismatic woman who runs an underground adoption agency. A strong bond develops between the two women, and Karoline accepts a role as her nanny.