Hélène Louvart, AFC, Darius Khondji, AFC, ASC, and Eric Gautier, AFC, talk about their shooting on Kodak film
- DP Hélène Louvart, AFC, creates intimacy and connection using Kodak 16mm for Eliza Hittman’s acclaimed movie Never Rarely Sometimes Always
Sidney Flanigan stars as Autumn in "Never Rarely Sometimes Always", a Focus Features releasePhoto courtesy of Focus Features
- DP Darius Khondji, AFC, ASC, delivers a dazzling result with 35mm on the Safdie Brothers’ Uncut Gems
Julia Fox (center) with The Weeknd in "Uncut Gems"Photo by Julieta Cervantes - Image courtesy of A24
- Kodak 35mm 2-perf delivers a gentle aesthetic for director Hirokazu Kore-eda’s bruising drama The Truth
Catherine Deneuve, Juliette Binoche, cinematographer Eric Gautier AFC and director Kore-Eda during production on "The Truth"Photo by Arian Damain-Vergallo
Read or read again:
- Kodak 35mm puts in a versatile, cost-effective performance on Alice et le Maire (DoP Sébastien Buchmann, AFC)
- Kodak 35mm film delivers warmth and love to Chambre 212 (DoP Rémy Chevrin, AFC)
- Shot on Kodak S16mm, Lazzaro Felice releases in the UK to rave reviews (DoP Hélène Louvart, AFC)
- Kodak 35mm delivers a poetic result on Cannes Festival screener Les Confins Du Monde (DoP David Ungaro, AFC)
- Director Jaime Rosales goes all out for 35mm film production and post on his powerful family drama Petra (DoP Hélène Louvart, AFC)
- DP Philippe Le Sourd AFC creates bewitching looks on Kodak 35mm for Sofia Coppola’s The Beguiled
- Kodak 35mm delivers the emotional and cinematic canvas for WWII thriller The Man with the Iron Heart (DP Laurent Tangy, AFC)