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Meeting with Alfonso Cuarón about the series "Disclaimer", photographed by Emmanuel Lubezki, AMC, ASC, and Bruno Delbonnel, AFC, ASC
"The weight of words, the impact of images" by François Reumont pour l’AFC

28/11/2024 - Modifié le 22/12

To mark the grand release of his first series on the Apple platform, the multi-Oscar-winning Mexican filmmaker Alfonso Cuarón (Gravity, Roma, etc.) attended Camerimage to discuss his work and photographic choices with the audience. "Disclaimer" is a thriller in which a past event suddenly resurfaces, upending the very bourgeois life of the main protagonist (Cate Blanchett) and her family. Since its release in early November, the series has divided viewers and critics alike. Many argue that the two timelines explored by the filmmaker occasionally lack credibility and coherence, particularly with respect to the final resolution. Emmanuel Lubezki, AMC, ASC, and Bruno Delbonnel, AFC, ASC, shared the cinematography credits, each working on a specific part of the story. (FR)
AFC Interviews at Lille’s "Series Mania" Festival Mateusz Wichłacz, PSC, "Kaboul", directed by Kasia Adamik and Olga Chajdas
"Devils and Dust", by François Reumont for the AFC

04/04/2025 - Modifié le 4/04

Directed by Kasia Adamik and Olga Chajdas, the series "Kabul" is a European co-production between France, Belgium, Greece, Germany, and Italy. This ambitious project portrays the evacuation of the Afghan capital during the American withdrawal in 2021. In the great Anglo-Saxon tradition of films recreating major historical events, the series offers a detailed reconstruction of the fall of Kabul. The Polish cinematographer Matteusz Wichlacz, PSC, a long-time collaborator of the two directors, was in charge of filming the entire series. We spoke with him about this spectacular reconstruction of Afghanistan—shot entirely in the suburbs of Athens—and "Kabul"’s participation in the official international competition at Séries Mania. (FR)
"Roommate From Hell", a short film made entirely with AI
A discussion with Tyler B. Cohen, by François Reumont

20/01/2025 - Modifié le 18/01

Tyler B. Cohen is a renowned Creative Director celebrated for his expertise in both physical and digital realms. At Tool, he co-leads AI initiatives, revolutionizing how some of the biggest brands in the world create and deliver narratives and experiences through bespoke generative AI systems. Tyler’s dynamic body of work includes collaborative projects helmed under his direction with globally recognized brands, chart-topping musicians, superstar athletes, major sports leagues, and all those brave marketers interested in embracing what’s next. Google gave him the opportunity to test his latest VEO2 text to video generator, and he made Roommate From Hell with it. This funny short movie is online since early january. (FR)
María Secco, AMC, looks back on the challenges faced during the filming of Christopher Murray’s "Brujeria"
"Island of birds and dogs", by François Reumont for the AFC

25/04/2025 - Modifié le 25/04

Shot on the island of Chiloé, in southern Chile, Brujeria is a fantasy film in which history and politics intertwine in an unexpected and very animalistic way. Set in the late 19th century, at a time when European settlers were arriving alongside the newly formed Chilean state, the script depicts the rebellion of a native teenager when her father is unjustly killed by his German employers.  This is the second feature film by Christopher Murray, a filmmaker whose academic work in anthropology inspired the subject matter. The cinematography is by María Secco, AMC, who is originally from Uruguay but lives and works in Mexico City. We talk to her about the making of this spellbinding story, which has been selected for the "Contemporary World Cinema" section at Camerimage 2023. (FR)
AFC Interviews at the "Séries Mania" Festival in Lille, 2025 edition Adrien Bertolle looks back at the filming of the series "The Deal", directed by Jean-Stéphane Bron
"The unknown of the lake", by François Reumont for the AFC

22/04/2025 - Modifié le 25/04

"The Deal" is a series that recreates a recent historical event by showing the inner workings and behind-the-scenes of an international negotiation on the shores of Lake Geneva. Steeped in the atmosphere of realistic spy series and films (including "The Bureau"), where the plot is conveyed largely through the relationships between characters rather than through action per se, it is also a kind of closed-door drama set in a luxury Swiss hotel. The setting is reminiscent of Edward Berger’s recent film Conclave, in which other international negotiations were taking place within the Vatican. Adrien Bertolle is the director of photography for this six-episode series, directed by Jean-Stéphane Bron, co-produced by Arte & Gaumont, and in international competition at Séries Mania. (FR)
AFC Interviews at the "Séries Mania" Festival in Lille, 2025 edition Benjamin Louet talks to us about his work on the mini-series "37 Seconds," directed by Laure de Butler
By François Reumont for the AFC

22/04/2025 - Modifié le 25/04

Directed by Laure de Butler ("Syndrome E" for TF1 or "Irrésistible" for Disney), the "37 secondes" series tackles an unsolved mystery dating back to January 15, 2004, the sudden sinking of the trawler "Bugaled Breizh" in international waters south of Lizard Cape. Solidly documented and filmed at the scene of the tragedy, this 6-episode series produced for the Arte Channel has been selected in French competition at this year’s Séries Mania. Benjamin Louet, who shot the images, talks to us about the filming process, where history and fiction coexist intimately. (FR)
Berlin Festival 2025 Sébastien Buchmann, AFC, discusses the shooting of "Ari", by Léonor Serraille
"Ari’s Gentleness", by François Reumont for the AFC

07/04/2025 - Modifié le 7/04

After Jeune femme (Caméra d’or at Cannes in 2017) and Petit frère, French filmmaker Léonor Serraille now offers a portrait of a young man, portrayed by Andranic Manet, who plays the lead role. Ari is a character full of contradictions who is navigating between malaise and hope, and who suddenly discovers a role in his life that he hadn’t anticipated. Sébastien Buchmann, AFC, is responsible for the images in this film, produced by Arte as part of a series on youth. (FR)
AFC Interviews at Lille’s "Series Mania" Festival Sergi Gallardo talks to us about the filming of "Querer", directed by Alauda Ruíz de Azúa
A New Life, by François Reumont for the AFC

07/04/2025 - Modifié le 4/04

Certainly one of the standout series of Series Mania 2025, "Querer", co-written and directed by Spanish filmmaker Alauda Ruíz de Azúa, gives voice to women facing domestic violence and paints a stark portrait of contemporary Spanish society and family dynamics. Told over four episodes (filmed in 11 weeks), each serving as a chapter in a long and painful struggle for this mother (portrayed brilliantly by actress Nagore Aramburu), the series is also a visual gem, where every frame and especially every camera movement seems meticulously composed and designed to serve the story. We spoke with Sergi Gallardo, the cinematographer of this series, which won the Grand prize in Lille. (FR)
László Gaál uses AI to shoot Porsches in Ferrari land
"The humor behind the machine", by François Reumont

02/04/2025 - Modifié le 2/04

With humor, know-how and a disturbing quality, the fake Porsche advertisement “The Pisanos” produced by the Hungarian colorist László Gaál has become in recent days one of the stars of the AI film generation on YouTube. Made entirely on the Google Veo2 engine to which he was able to have early bird access, this little film is featuring almost all the clichés of advertising (Tuscany, smiles, speed, etc.) Disturbing by its quality and especially by its making-off, this second part takes eventually the viewer by surprise when we suddenly learn that everything was (almost) false. Laszlo, who gives himself the pleasure of talking to the camera - in the only shot actually filmed . lends also his voice to the commentary. He talks to us (with his lovely Claude Monet t-shirt) about creation with this new tool. (FR)
"Banger", by Bertrand de Langeron (aka "So Me"), cinematographed by Mathieu Plainfossé, AFC, Family Stories
By Ariane Damain Vergallo, for Leitz Cine

02/04/2025 - Modifié le 2/04

When the big family of cinema meets the small but much younger and more explosive family of electro music, the result is a Banger film that explodes like a firecracker in a night of partying that never ends.
81st edition of the Venice Film Festival Interviews with Jeanne Lapoirie, AFC, and Guillaume Ader (gaffer) on the film "Planète B", by Aude Léa Rapin
“Adele’s Survival” by François Reumont for AFC

25/09/2024 - Modifié le 23/12

With Planète B, filmmaker Aude Léa Rapin (Les héros ne meurent jamais, in 2018) offers us an ambitious tale of anticipation. Two dimensions - real and virtual - coexist in a paradoxical prison film where the inmates are placed in a very... summery atmosphere. Jeanne Lapoirie, AFC, and her gaffer Guillaume Ader were responsible for the cinematography of this plunge into a 15-year future where the government has devised new means of incarceration to counter a group of young activists bent on defending the planet. The director’s second film is presented out of competition as the opening film of Critics’ Week at the 81st Venice Film Festival. (FR)
Nicolas Massart, AFC, discusses the technical challenges involved in filming "Sous la Seine" by Xavier Gens
"A dive into troubled waters", by François Reumont for the AFC

01/07/2024 - Modifié le 14/08

Xavier Gens’ Sous la Seine has been available on Netflix since early June, and has since risen to become one of the most viewed programs on the platform. Meanwhile, the director, producers and the platform are being sued by another screenwriter who is claiming to have been the victim of plagiarism. This suspenseful film portrays the intrusion of a race of mutant sharks capable of adapting to fresh water and swimming up rivers, and has benefited from the fact that the Olympic Games are being held in Paris this year to generate buzz. Nicolas Massart, AFC, was in charge of the cinematography of this story, with many underwater scenes shot in the large European studio dedicated to this – Lites, in Brussels. (FR)
Lennert Hillege, NSC, and director Sandhya Suri talk to the audience after the screening of "Santosh"
"Probably male", by François Reumont

27/11/2024 - Modifié le 22/12

Co-produced by Haut et Court and directed by Franco-British-Indian filmmaker Sandhya Suri, the film Santosh is a poignant portrayal of women (much like the other Indian film of the summer, All We Imagine as Light, also directed by an Indian filmmaker and winner of the Grand Prix at Cannes). Set in a rural region of northern India (Uttar Pradesh), this debut feature revolves around a young woman, the widow of a police officer, who inherits her late husband’s job due to a peculiar local administrative policy. She faces her new colleagues and is soon confronted with the complex contradictions of Indian society. Sandhya Suri and her cinematographer Lennert Hillege, NSC, presented the film at Camerimage and answered audience questions. The film won the Golden Frog Award for Best First Feature Film. (FR)
FilmLight introduces Baselight for macOS

14/03/2025 - Modifié le 14/03

FilmLight introduces Baselight S and Baselight M, the affordable and accessible software-only subscription versions of its powerful Baselight grading solution running on the Apple macOS platform.
Rachel Clark looks back at the cinematography of "Edge of Summer", directed by Lucy Cohen
By François Reumont for the AFC

20/11/2024 - Modifié le 22/12

Lucy Cohen’s first film is a summer portrait of a boy and a girl leaving childhood. Filmed in a village on the Cornish coast, with windswept cliffs, this very sensitive film is based on the relationships and unsaid things between adults and their children. British cinematographer Rachel Clark shot the film. It runs for the Golden Frog (Best image for a first film) at Camerimage 2024. (FR)
Cinematographer Krzysztof Trojnar looks back at the cinematography of the "Baby Reindeer" series
"Girl Meets Boy", by François Reumont for the AFC

23/11/2024 - Modifié le 22/12

"Baby Reindeer" was undoubtedly one of the year’s most striking pieces in terms of writing, acting, and audience impact. In just a few months, it quickly became one of Netflix’s flagship series, largely due to its creator Richard Gadd, who also stars as the lead. Gadd bravely brings to the screen an extremely grave and personal episode from his own life in an unprecedented manner. This series is groundbreaking in its audacity, proving that even the boldest projects, initially seeming far from mainstream, can captivate the public. Here we reflect on the making of this series with Krzysztof Trojnar, who was the cinematographer for the first four episodes, directed by Weronika Tofilska. (FR)
Manaki Brothers Festival 2024, 45th edition Interview with Claire Pijman, NSC, about "The Gate", by Michael David Beamish and Jasmin Herold
"Warriors of the wasteland", by François Reumont, for the l’AFC

24/09/2024 - Modifié le 23/12

In The Gate, a documentary on the psychological and human toll of war on veterans and soldiers’ families, directors Michael David Beamish and Jasmin Herold paint a particularly bleak portrait of America. Blending a style that at times resembles fiction with classic documentary elements - such as voiceovers and everyday life - The Gate is shot and edited by Dutch cinematographer and director Claire Pijman, NSC. While in Bitola, she discussed this unconventional project, which was filmed in two sessions separated by the pandemic. (FR)
Stéphane Fontaine, AFC, looks back at his choices in filming Edward Berger’s "Conclave"
By François Reumont for the AFC

23/11/2024 - Modifié le 23/12

With Conclave, German filmmaker Edward Berger (All is calm on the Western Front, multiple Oscars winner including Best cinematography in 2023 for James Friend, BSC), radically change the universe and decide to adapt a novel which tells how the election of a new pope is held at the Vatican. Served by a dazzling cast (Ralph Fiennes, Stanley Tucci, Isabella Rossellini...), the film navigates between investigation, alcove secrets and political campaign between cardinals. It’s Stéphane Fontaine, AFC (The Beat My Heart Has Stopped, A Prophet, Jackie...) who is behind the camera this time. He comes to talk to us about this rebuilt Vatican at Cinecittà, about faces and how to film them and about red color, which regularly cross the image. Conclave is presented in European preview at Camerimage and competition for the Golden frog in the Main competition (FR)
Two Pictures a Day in Peru - 1
First Week : July 29 - August 5, 2024

27/08/2024 - Modifié le 27/08

Gilles Porte, AFC, is currently shooting Lady Nazca in Peru, a film directed by Damien Dorsaz. As he did previously in 2014 with Mai Nasri’s 3000 Night and in 2015 with Safe Nebbou’s Dans les forêts de Sibérie, Gilles once again offers us two images a day, photos that he has taken himself (unless mention to the contrary), with a comment. A sort of journal of things seen or felt, instants captured with the camera or smartphone.
Here is the journal from the first week… From July 28 - August 5.
AFC Micro Salon Show 2025 : Save the Dates

25/07/2024 - Modifié le 18/02

Renewing a formula that lends itself to it, one place, two dates, three reasons to... visit the AFC Micro Salon and note the dates of the next edition : Thursday February 6 and Friday February 7, 2025, at the Parc Floral de Paris.
Aymerick Pilarski, AFC, talks about his work on "Rendez-vous with Pol Pot", by Rithy Panh
"Big Brother", by François Reumont

12/07/2024 - Modifié le 4/04

After several documentaries on the Cambodian genocide, filmmaker Rithy Panh decided to venture into fiction, recreating the true story of journalists who got the only interview with the Khmer Rouge leader in 1978. This ambitious work combines scenes led by a prestigious cast, cutaway shots from archival footage, and long tracking shots of childlike models reminiscent of Michel Gondry’s style. The result is a strange film where naivety blends with historical reconstruction and characters sometimes happened to be on another planet. Aymerick Pilarski, AFC, lensed this show presented in the official Cannes Première selection. (FR)
Prix AFC’s nominations announcement 2025

17/12/2024 - Modifié le 22/12

The French Society of Cinematographers is proud to announce the nominees of the second Prix AFC’s edition, split in five categories.
Frank van den Eeden, SBC, NSC, talks about his work on "Small Things Like These", by Tim Mielants
By François Reumont for the AFC

25/11/2024 - Modifié le 23/12

With Small Things Like These, Belgian filmmaker Tim Mielants tells the story of the late 80s, in working-class Ireland, giving a new point of view on the Magdalene Sisters affair (adapted in the past from Peter Mullan in 2002). We follow the life of a peaceful father of six daughters (Irish star Cillian Murphy) whose scars from the past suddenly resurface when the discovery of one of the young girls staying at the convent. Dutch DoP Frank van den Eeden, SBC, NSC, lensed the film, which is in competition for the Golden frog of Camerimage 2024. (FR)
Manaki Brothers Festival 2024, 45th edition Interview with Pablo Lozano about "Chronicles of a Wandering Saint", by Tomás Gómez Bustillo
By François Reumont, for the AFC

26/09/2024 - Modifié le 22/12

Chronicles of a Wandering Saint is a first film from Argentina, directed by Tomás Gómez Bustillo and shot by Pablo Lozano. It features a woman of around sixty years old, living in a very rural community who is about to discover a providential lost statue. With her husband, she suddenly shares a plan to set a kind of funny miracle... But everything isn’t going to turn out exactly as she thought.
Recently released in Argentina, with real success (more than six weeks of theatrical release), this fantastic comedy is in official selection for the 300 Camera at Manaki 2024. (FR)
Rodrigo Prieto, AMC, ASC, talks to us about "Pedro Paramo", which he directed and co-photographed.
By François Reumont for the AFC

22/11/2024 - Modifié le 23/12

For his first film as director (and co-operator with Nico Aguilar), Mexican cinematographer Rodrigo Prieto, ASC, AMC adapts for the 3rd time for the screen a so called unadaptable classic of Mexican literature. An evocation of Mexico during the revolutionary period which takes place over several eras with the dual recreation of a village and its ruins after its abandonment.
A strange 130 min Netflix experience which deals with surrealism, dreams and the nostalgia of an era. As in Toruń to present his film to cinematographers from around the world, the filmmaker talks to us about it and his transition to directing. (FR)
Interview with DoP Sebastian Klinger about "Sew Torn", by Freddy Macdonald
By François Reumont

20/11/2024 - Modifié le 23/12

Telling the story of a kind of Amélie Poulain with sewing superpowers, Sew Torn is a bit of a UFO in this panorama selection of contemporary cinema. Coming from German-speaking Switzerland, where this film was shot in a peaceful town lost in an idyllic valley. Director of photography Sebastian Klinger comes to talk to us about this shoot where the actress is killed at least three times on screen, and where the influence of the Coen brothers sometimes hovers over the crazy situations and somewhat strange characters. (FR)
Two Pictures a Day in Peru - 5
Fifth Week : August 27-September 2, 2024

16/09/2024 - Modifié le 15/09

Gilles Porte, AFC, is currently filming Lady Nazca in Peru, a film directed by Damien Dorsaz. As in 2014 on 3000 Night, by Mai Nasri, and 2015 on Dans les forêts de Sibérie, by Safy Nebbou, Gilles once again offers us two images per day, taken by him (unless otherwise stated) along with his commentary. A sort of diary of things seen or felt, moments captured on the camera or smartphone.
Here is the diary of the fifth week.
81st edition of the Venice Film Festival Interviews with Elin Kirschfink, AFC, SBC, and director Carine Tardieu on the film "L’Attachement"
"Nothing is worth as much as life itself", by François Reumont for the AFC

27/09/2024 - Modifié le 22/12

Selected in the Orizzonti section at the Venice Film Festival, the fifth film by director Carine Tardieu deals with the theme of family ties, over a two year period following a tragedy. From its first scenes, L’Attachement is characterized by a mother’s loss, yet the film manages to avoid the pathetic thanks to the luminous, innocent performance of the character of Elliot by 6-year-old César Botti. Elin Kirschfink AFC, SBC, was director of photography for this film produced by Fabrice Goldstein and Antoine Rein (KarKaré Productions). (FR)
81st edition of the Venice Film Festival Antoine Héberlé, AFC, discusses the shooting of "Aïcha", by Mehdi M. Barsaoui
"The woman who wanted to live her life", by François Reumont for AFC

25/09/2024 - Modifié le 23/12

At once the portrait of a woman, a tale and a political film, Mehdi M. Barsaoui’s Aïcha captures the mood of modern post Ben Ali Tunisia in the context of a multi-faceted thriller. While the journey of young Aya (Fatma Sfar) from her small town in southern Tunisia to the big city remains the main thread of the story, a host of secondary characters, both benevolent and malevolent, shape this coming-of-age tale in picaresque, social terms. Antoine Héberlé, AFC, returns to team up with the Tunisian director after his first film, Un fils, which won acclaim in 2019. 
Aïcha has been selected in the Orizzonti section at Venice. (FR)
"Change ? Yes, but let’s remain decent and honest"

16/11/2024 - Modifié le 22/12
Manaki Brothers Festival 2024, 45th edition My cinematography talks at Manaki
By Sarah Blum, AFC

02/10/2024 - Modifié le 22/12

It’s my first Manaki Brothers film festival and I am really thrilled to watch movies whilst paying particular attention to the cinematography.To be able to listen, talk and think about cinematography with my peers and mentors in person is a real treat.
Whilst here I have decided to make portraits of the cinematographers I meet and I talk with, from the coffeeshops of Bitola to the streets between the two screening venues.
Two Pictures a Day in Peru - 3
Third Week : August 13-19, 2024

03/09/2024 - Modifié le 3/09

Gilles Porte, AFC, is currently filming Lady Nazca in Peru, a film directed by Damien Dorsaz. As in 2014 on 3000 Night, by Mai Nasri, and 2015 on Dans les forêts de Sibérie, by Safy Nebbou, Gilles once again offers us two images per day, taken by him (unless otherwise stated) along with his commentary. A sort of diary of things seen or felt, moments captured on the camera or smartphone.
Here is the journal of the third week.
Panavision interviews Evgenia Alexandrova, AFC, about "The Balconettes" ("Les Femmes au balcon")

16/12/2024 - Modifié le 22/12

Cinematographer Evgenia Alexandrova, AFC, shares insights into her collaboration and creative process for Noémie Merlant’s feature film, The Balconettes (Les Femmes au balcon).
Cinematographer Andreas Fischer-Hansen, DFF, has passed away
By Richard Andry, AFC

02/08/2024 - Modifié le 1er/08

We are very saddened to hear of the passing, in his 83rd year, of the Danish cinematographer Andreas Fischer-Hansen, DFF. He was a Francophile and a great friend of the AFC, who never failed to visit us during events that we have organized in Paris : Micro Salon, Caméflex Festival, IAGA Imago 2012 and a lot of other meetings.
Two Pictures a Day in Peru - 6
Sixth Week : September 3-September 11, 2024

17/09/2024 - Modifié le 15/09

Gilles Porte, AFC, is currently filming Lady Nazca in Peru, a film directed by Damien Dorsaz. As in 2014 on 3000 Nights, by Mai Nasri, and 2015 on Dans les forêts de Sibérie, by Safy Nebbou, Gilles once again offers us two images per day, taken by him (unless otherwise stated) along with his commentary. A sort of diary of things seen or felt, moments captured on the camera or smartphone.
Here is the diary of the sixth and final week.
Manaki Brothers Festival 2024, 45th edition Interview with Agnieszka Szeliga
By François Reumont, for the AFC

30/09/2024 - Modifié le 22/12

Agnieska Szeliga is a UK based camera operator and co-founder of "Women Behind The Camera" (WBTC). Her credits include B camera work on Michael Mann’s Ferrari, or "House of the Dragon" and "Gangs of London" series. She comes to talk to us about the Manaki Festival, her conception of the role of camera operator and of course about her 400 volunteer association who does a lot to promote diversity on the sets. (FR)
Juan Palacios looks back at "As the Tide Comes In", the documentary he directed and lensed
"The Island of King Gregger", by François Reumont for the AFC

18/11/2024 - Modifié le 22/12

Entirely filmed on the small island of Mandø, located on the southwest coast of Denmark, Basque filmmaker Juan Palacios’ documentary is both a tender portrait of its inhabitants and a testimony to life continuing against all odds in the face of rising sea levels and climate change. Shot in a 2.35:1 aspect ratio by the director himself, the film resolutely oscillates between a documentary approach in its content and a highly cinematic stylization in its form. We revisit with him this exploit, which took several years, spanning from the pandemic to the initial interactions with the locals, the filming, and the finalization of the film. This documentary is in competition for the Golden Frog award for Best Cinematography in Toruń.
Interview with Martin Gschlacht, AAC, about "The Devil’s Bath", by Severin Fiala and Veronika Franz
"The Forest, Water and Flames", by François Reumont for the AFC

18/11/2024 - Modifié le 22/12

A chronicle of the female condition during the 18th century, The Devil’s Bath, directed by the duo of filmmakers Severin Fiala and Veronika Franz, portrays the life of Agnes, a young peasant who discovers married life with her new husband. Filmed with great historical accuracy, this meticulous recreation of rural German customs during the Enlightenment is as chilling as it is haunting.
Austrian cinematographer Martin Gschlacht, AAC, brought this dark and cruel story to life. Based on a book and the analysis of trial records from 1701, the film is masterfully acted by the young Austrian singer Anja Plaschg ("Soap & Skin"). In this interview, we discuss this piercing production, filmed on location in the Austrian and German forests during the depths of winter. (FR)
Two Pictures a Day in Peru - 2
Second Week : August 6-12, 2024

29/08/2024 - Modifié le 26/08

Gilles Porte, AFC, is currently shooting Lady Nazca in Peru, a film directed by Damien Dorsaz. As he did previously in 2014 with Mai Nasri’s 3000 Night and in 2015 with Safe Nebbou’s Dans les forêts de Sibérie, Gilles once again offers us two images a day, photos that he has taken himself (unless mention to the contrary), with a comment. A sort of journal of things seen or felt, instants captured with the camera or smartphone.
Here is the diary of the second week.
Two Pictures a Day in Peru - 4
Fourth Week : August 20-26, 2024

04/09/2024 - Modifié le 5/09

Gilles Porte, AFC, is currently filming Lady Nazca in Peru, a film directed by Damien Dorsaz. As in 2014 on 3000 Night, by Mai Nasri, and 2015 on Dans les forêts de Sibérie, by Safy Nebbou, Gilles once again offers us two images per day, taken by him (unless otherwise stated) along with his commentary. A sort of diary of things seen or felt, moments captured on the camera or smartphone.
Here is the journal of the fourth week.